Monday, November 23, 2015

Multi-Genred Lit

Tom Romano - Blending Genre, Altering Style: Writing Multigenre Papers
Camille Allen - The Multigenre Research Paper: Voice, Passion, and Discovery in Grades 4-6
Mary Styslinger - "Multigenre-Multigendered Research Papers"
Sara Biltz = "Teaching Literature Through the Multigenre Paper: An Alternative to the Analytical Essay"



Say

Before I begin this I'd like to start off by saying that I had NO idea what a multi-genred paper was--I am glad that I have that background now. I can also still admit that I am and would still be nervous to do this in my classroom...I'm sure that will change once we do one in this class however. What I enjoyed about the readings is that we were able to get all the parts of this process--Romano begins by telling us a brief history of how this style of writing came to be. From what Romano talks about, what I like most about this type of writing is the fact that this genre is able to incorporate so many different types of writing in one. The student is able to be the focus of their own words. How? There is no specific genre that students can use! Styslinger talks about how comfortable students were with this process due to the fact that many of them were able to be lenient in the topics and genres that they chose to write about.

Multigenre writing projects respond to contemporary conceptions of genre, audience, voice, arrangement and style by enabling students to tap into their knowledge about new media literacies, rich rhetorical situations, and the multiple perspectives that are inherent in any writing activity.In short, multigenre projects entail a series of generic documents that are linked by a central premise, theme, or goal. They may forward an argument, trace a history, or offer multiple interpretations of a text or event. They are rigorous forms of writing, involving all of the elements of a traditional research paper: research and citation, coherence and organization, purpose and aim of discourse, audience awareness, and conventional appropriateness. Thus, while multigenre projects certainly teach students valuable, transferable strategies and expectations for writing, they go further. 

Multigenre writing is thus informed by a multitude of rhetorical considerations including a complex understanding of genre theory. Teachers who engage in multigenre assignments must be prepared to sequence assignments/project pieces carefully, to engage in new kinds of response and evaluation strategies, and to learn to trust their students’ abilities and creativity. The results of this preparation, engagement, and trust are consistently surprising, heartening, and rhetorically sophisticated.



Do:
For this project, I can admit that I had a hard time trying to find a Do mainly because I have never done this. I then began to think about how would a teacher even go about grading this, so I went on a find to look for fantastic rubrics that teachers could have to use as a guide for grading this. The link is below for a sample rubric.

https://docs.google.com/document/d/1XhfoH0xt6lMP6hVQ-vuPod2JeYQ2S3HcFI5vj0qVHXE/edit?usp=sharing

Tuesday, November 17, 2015

Talk to Text: Fostering the Connection between Discussion and Writing

Robert Probst - "Tom Sawyer, Teaching, and Talking" from Adolescent Literacy
Robert Probst - Response & Analysis: Teaching Literature in Secondary School
Mary Styslinger and Timothy Pollock - "The Chicken and the Egg: Inviting Response and Talk through Socratic Circles"
Mary Styslinger and Jessica Overstreet - "Strengthening Argumentative Writing with Speaking and Listening (Socratic) Circles"

Talk to Text: Fostering the Connection between Discussion and Writing


The group of readings are surrounded around talking around literature—moreso creating an environment in which we are able to engage in Socratic seminars and how to also get students to not only transact with the text through dialogue, but also how to get our students into writing more. “Socratic circles change the way individuals read, think, discuss, write, and act; they have the power to change a student’s perspective on living, learning, and behaving” (Copeland 4). Now, Davontae 2 years ago would have said that this statement is a reach, but after reading multiple perspectives and seeing how well it fits into what “good teaching” looks like—I wholeheartedly agree.

I am reminded of the EDRD 600 immediately. Why? According to Gallagher, “Because the powers outside the classroom walls are so strong in tearing down young readers, what goes on inside the classroom is of paramount importance. Today, more than ever, valuable classroom time presents the best opportunity—on the the only opportunity—to turn kids on to reading. Unfortunately, this isn’t occurring” (2). I immediately thought of the Gallagher piece because over the summer we spent so much time trying to find out why are our students not reading—why are they not able to make meaning and engage with the text the way we as teachers do? I believe that one of the reasons this happens is due to the fact that we are not requiring our students to think in an abstract way and allow them the opportunity to have these meaningful discussions. So often we feel that we need to teach students formulaic approaches to how to read, write, blah blah—but, when we stop to look inside our own classrooms, we aren’t using the resources and best practice techniques to engage students. Socratic circles are the way in.

So often, and I can admit I fell guilty of this once, we as teachers believe that one way that we can show that students are engaging with the text is by giving them an essay to write! “Use specific quotes from the text and explain it so I know you are able to make meaning!”. This is not what we should be doing in the classroom. What I liked most about the reading this week is the fact that we are given a lot of information on how to use Socratic circles to engage in that writing discourse we expect in our classroom. Styslinger and Polluck state that one of the tricks when it comes to strengthening students writing is through their talking! Engaging in the Socratic circles in a way that it allows students to state their views (in a respectable manner) not only teaches them how to be effective speakers, but it teaches arguments for students. I wasn’t able to see the bridge in how the actual Socratic circle could lead to better writing—until we had the Socratic circle in our own class. Reading the text and then being asked to respond to a host of questions prior to the discussion allowed me to the opportunity to strengthen my stance on the piece. I could then take my argument and present them in a discussion with peers. In Styslinger’s article however, I believe she more so focuses on how to teach students that in Socratic circles there are rules and protocol to the process and not necessarily focusing on how to effectively use textual evidence to support student’s claims in the discussion. However, (no pun intended) isn’t this the chicken or the egg again? Do we teach how to respectfully engage in conversation or do we teach how to make good arguments? I am curious to try this in my own classroom however. I would want to see how my own students respond. I believe that one of the central problems we see in the classroom is the fact that not enough of this is being done at all. Sure the new state standards are practically pleading to use techniques such as Socratic circles—but why aren’t they being done? Do we place too much value on writing skills instead of oral communication? How do we expect our students to be able to communicate between each other when they can’t because we don’t teach how? Again—engagement with the text is more effective when we see it in writing…that to me is bogus (yet I see it all the time).

What I most like is how Probst gives us a fantastic way to have a win win for both! Teach discussion and writing as one. Workshop is a tool that we as college students use all the time. We peer review each others writing, and then have a conversation about our own writing. Not only is this an effective way to boost the two, but it allows us to interconnect oral and writing skills amongst our students. Now, I will be the first to admit that my concern is how do I grade something like this? Do I grade based on discussion? Or the writing? The editing? I believe that when we take out the worrying about grading and just allow the students to engage more—we will then see that they are putting more into their own work—no longer will students write to appease me; they will write to be more critical.

I had this happen. I wanted my students to write and forget about being graded. Write because you have something to say. I then had then converse with each other. Tell each other how their writing sounds, connects, and analyzes. I told my students that they would be graded 80% based on their conversations—20% based on their writing (10% would be their initial draft, 10% based on their final draft). Call me crazy, but when I had my students moving around in circles to share their papers and ask for feedback, the comments were amazing! They knew that they needed to pay attention to communicating between their own peers—the stigma was gone that their writing would hold the most weight on their grades. This is what I want to see done in my own classroom. I want my students to write because they want to be critical—and I want to foster a sense of community based on good conversation (positives and improvement suggestions). This is what I think these articles are trying to do. Teach us that we can connect writing and discussions. Styslinger and Overstreet did it—and it wasn’t done to the level that you had to choose to spend more time on one or the other.

My do for this is the lesson plan I used at my middle school. See below.


Davontae Singleton
Wump World Lesson Plan

Subject: English—6th grade
Total Class Time: 56 minutes
Topic: Writing with Purpose
Objectives and (standards):
1.         SWBAT 6.W.2 Write informative/ explanatory texts to examine a topic and convey ideas, concepts, and information through the selection, organization, and analysis of relevant content.
2.         SWBAT 6.RL.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.
Purpose:
In this lesson, students will be exposed to taking their story-map that they have created in class and using that as a template to create and write an exploratory essay based on the book “Wump World”. Student’s will be asked to not only create the basic outline of an essay, but they will be asked to make a personal connection in their essay as well that connects the text with an experience or other work of literature. Students will work on this so that they are able to write more clearly and effectively.

Procedures: (Please note that these procedures are to be done once for each student)
Introduction:
Warm-up: Why do we write? Write down 3 ideas on why you think it is important for us to write as 6th graders, and then 2 ideas on why we write as adults? We will have a conversation to “dispel” any myths about writing and to break down the stigma that writing is difficult or tedious. (5 Minutes)

Development: This development phase will take the place as a workshop format. We will all work together, yet independently—sharing our ideas as we are going forth.
1.         Introduction—I would like to start the development of this essay as we are thinking about our personal statements to the book. What about the book would we like to lead in on? We can discuss how the book is an allegory or how the “wumps” are described as in the story. Students will be expected to work on a way to effectively introduce their paper and lead in with a good “hook”. After we have worked on our introductions, we will share some and give effective feedback. (10 minutes)
2.         Exposition, Main events, climax, and resolution—students will have their story map as well as their “introduction” paragraph from Monday’s class to use as they create the next 3 parts of their paper. This will be done independently as students already have the tools and information to write this part of their essay. (10 minutes)
3.         Final Reflection—This will give students the opportunity to make personal connections to the story. They will be given a number of prompts to help them end their paper. (What books/movies did this book make you think of? What advice would you have given the wumps or the pollutions? What would you have done differently if you were the wumps or the pollutions? What can we do so our world does not become like the wump’s world? What laws can we enforce to make sure these new rules are enforced?) As students are working on this part of their paper, we will again run it like a workshop, except this time they will share their endings with a partner. Students will be given a rubric and they will assess each others ending paragraph to ensure that it targets a specific connection from the book, but also explains why they chose to write about that connection. The point in this is to foster critical thinking in both their writing and conversations so that students are able to take both seriously and see the gift in oral conferencing with peers. As students are conferencing with each other, I will be going around to informally assess students work to check to see if they have the basic structure of a 5 paragraph paper as well as performing a very informal analysis on their writing. (25 minutes)

Conclusion: (6 min)
            Students will complete a ticket to leave. They will be asked to complete 2 questions: What did you find challenging about today’s activities? What is one area you would like more practice with?

After students have finished this, I will share my writing that I have come up with for students.

Materials:
            Wump World by: Bill Pete  
            Students will all need their computers
            Students will all need their story-maps
             
Evaluation:
After meeting with students for the day, they will be assessed based on their completing the writing activity. I will also perform informal assessments of their writing while monitoring student work during silent work as well as group work. Participation grades will be given to students who are always on task and complete assignments. 

Students will be graded the following way: (80% based on conversation, 20% based on writing—half for initial and half for final drafts.

Reference:
Appleman, Deborah, and Michael F. Graves. Reading Better, Reading Smarter: Designing Literature Lessons for Adolescents. Portsmouth, NH: Heinemann, 2012. Print.


Book Clubs

The Book Club Companion by Cindy O'Donnell-Allen

Book Clubs

Let’s face it—book clubs aren’t anything that we haven’t seen done before in the classroom. Many teachers know that when you put students together in small groups, sometimes the discussions that they have can be limitless.  What is different however about book clubs, as Cindy O’Donnell- Allen puts it, “Obviously, I’m not the first person to suggest that discussing books in small groups is a good idea. But the small groups I’ve just described are not identical to other familiar configurations like reading groups complete with round-robin reading, small-group discussions, and literature circles.”  So what is it? What is it that makes book club so different than any other group discussions we have in the classroom?  The fact that they are so student centered not only excites me, but scares me as well.

 For starters, a book club is exactly as it sounds. Your students choose the book, they choose how the discussions flow, and they choose when they want to meet with each other. I like to think that book clubs are essential within the English classroom—not only do book clubs help promote dynamic conversations among students, they’re also used as a fantastic diagnostic technique for teachers. The way I see it, you cannot just create a book club and tell students that they’re going to have conversations. You will get blank stares.  I believe that students have to be scaffolded into how you have a successful book club meeting. One of the first things you need to understand about how to have a book club is the fact that you will need to show your students how to communicate, more specifically how to make sound arguments. This is very important, in fact the reason in why we read Smith, Wilhelm and Frederickson’s book on arguments. The trio concluded that arguments are in fact an essential part of our curriculum yet we do not teach our students how to make them. I believe that I would take their book as the theory, and use book clubs in my classroom as the practice with their theory. Once my students are able to learn that there is a right way in how to take a piece of literature and engage with it, I believe they would be set up to have the types of conversations around literature that we wish we saw everyday.

SO what is the purpose of book clubs then? Sure they are a way to show our students how to have conversations with each other through textual support and analysis, but can’t we do that with Socratic Circles? Absolutely. What I found to be the most distinguishing difference which argues for the need of book clubs was in Lapp & Fishers article, “It’s All About the Books”. They said, “Our students often select the “coming-of-age” novel, in which a trusting, narcissistic adolescent encounters some of life’s realities about topics like sex, sexuality, relationships, death, crime, family, work, or travel. Through the personal, life-transforming experiences of the characters, our students find the inner windows to their voices. As we listened to their book club ex- changes, we saw Rosenblatt’s (1946, 1985) and Gee’s (1996) theories in action.” This is what we should strive for and this is why book clubs are needed. It would be great if everyday our students took the literature that we gave them and fell so deeply in love with them that they cant help but relate and converse about it—ha! That would never happen. Understand that we are in a society where all of our students are coming from different walks of life with a different mentality. As a teacher, it would be impossible for you to find one core text and have each student like it. We want those rich discussions and we want those efferent conversations, the way to do that is by fostering student centered groups where they are able to choose what they want to read. Believe it or not, they may resist it, but never have I found a student who disliked reading a book that they chose and didn’t enjoy discussing it. Rosenblatt says it best, “Without an understanding of the reader, once cannot predict what particular text may be significant to him, or what may be the special quality of his experience.” The power in allowing our students to engage with a text that promotes personal connections is dynamic.

One of the things that I believe I struggle with as a pre-service teacher is how to set up book clubs. How do I choose a selection of books for my students to work with? What do I do before and after? O’Donnell offers a variety of suggestions for me. She informs that teachers need to set up their book clubs around systemic discussions. This will eliminate a lot of confusion and unawareness during book clubs. “I found that individual book clubs inevitably establish their own routines, but students appreciate a system that outlines the before, during, and after. In other words, they want to know how to prepare for book club, what will happen when they get there, and what will come after they’ve finished the book, as far as final projects and evaluation go.” Even though students are ideally the ones who will identify what they will discuss in their book clubs, we need to provide a structured support system that helps them keep track of basically everything. In other words, show students how to keep track of comments, how to set meeting times, as well as how to act during the meetings. It is so important that we identify and talk about the structure of the clubs before we let students go—they need to know that they are going to be held accountable. I love the ide that Kayla presented a few weeks ago where she has students record their conversations and send it to her. This promotes healthy discussion but also individual accountability. O’Donnell also talks about how you match your students—something I know I would struggle with. Do I let them choose their own groups? I happen to know that some students are going to discuss and work with their friends—they’re comfortable around them! Do I create groups myself? Rosenblatt did say I needed to understand each of my students—so theoretically I should know who would work best with who and who has similar interests. O’Donnell offers support on this issue, and I believe her stance on creating a classroom environment in which students are free to share with each other will definitely cut down on the “awkwardness” that may come about when I place students in groups. Also, I believe that letting students know that they will not be in the same group all year is important—their group will constantly switch up based on the genre that we read.

I must say that the Grading Literature Circles pdf was a great read. I often struggle with knowing how exactly to create rubrics for certain things—this offered great support for myself. It also talked about my role during meetings. I should be actively listening, jumping in and out of groups, and always assessing students as they are meeting. I believe will set students up to again be accountable for themselves. The part I loved the most about this article is when it stated to have student’s grader themselves. What? You can do that? I love it. This allows ownership over your own grades and allows me to meet with students so I can get active feedback.
Book clubs are amazing. Period. O’Donnell offers great support on why they are needed and how to conduct them correctly. Although I have never done one, I feel a lot more confident in my skills as a pre-service teacher in having one in my classroom. Those same strategies we learned over the summer in EDRD 600 can be used as a way to start book clubs—getting students interested in the books, and from there, you scaffold them, and it’s smooth sailing.

My do for the week happens to be a sample of a rubric that can be used for book clubs with my future middle school students. Having them responsible for assessing one other student is a fantastic way for them to be honest and also aware of their own participation in the book club.

http://www.readwritethink.org/files/resources/lesson_images/lesson1163/rubric.pdf